Not-for-profit Perfect Pitch has launched a club for its members called Perfect Pitch 250.

musical-not-for-profit-launches-perfect-pitch-250-for-members-2The company, which produces musical productions, is offering membership to a club which provides offers to see productions, attend workshops and working groups for new musicals, be entered into prize draws and the option to own a stake in new musicals.

Members are also invited to the 10 year party taking place at the Groucho Club in September.

Supported by the Arts Council, Perfect Pitch creates musicals right through to production. The organisation collaborates with venues, writers, producers and creatives across the UK and beyond to create, develop, produce and license new British musicals.

Once the shows are fully developed Perfect Pitch licenses the shows to both professional and amateur companies in the UK and overseas.

Since 2006 Perfect Pitch has created almost 60 musicals working with over 80 emerging writers.

Founders of Perfect Pitch Andy Barnes and Wendy Barnes said: “We are delighted to have spent ten years creating new musicals culminating with the production on Shaftesbury Avenue and a host of new British musicals being licensed worldwide – we look forward to the next ten years and are truly excited to launch this exclusive opportunity for a club that allows members to witness and collaborate in the process of creating new musicals whilst experiencing exclusive benefits”

musical-not-for-profit-launches-perfect-pitch-250-for-membersPerfect Pitch has Michael Ball and Stephen Fry as its patrons and amongst the prizes for the Pitch Perfect 250 Club is afternoon tea at the Ritz with Stephen Fry.

Michael Ball said: “What we try and do is find, encourage and nurture new musical writing talent in this country. It’s what we have to do. Musicals are the lifeblood of the theatre. We have to find new talent, we have to encourage them.”

Stephen Fry, Patron of Perfect Pitch, said: “Perfect Pitch, who are an extraordinary organization, see, nurture, develop, and incubate ideas for musicals… I think we sometimes forget in Britain just how extraordinarily good we are at musicals.”